The studio albums are modestly successful entries in the Jarrett catalog, but in 1973, Jarrett also began playing totally improvised solo concerts, and it is the popularity of these voluminous concert recordings that made him one of the best-selling jazz artists in history.Īlbums released from these concerts were Solo Concerts: Bremen/Lausanne (1973), to which Time magazine gave its ‘Jazz Album of the Year’ award The Köln Concert (1975), which became the best-selling piano recording in history and Sun Bear Concerts (1976) – a 10-LP (and later 6-CD) box set.Īnother of Jarrett’s solo concerts, Dark Intervals (1987, Tokyo), had less of a free-form improvisation feel to it because of the brevity of the pieces. ![]() Book of Ways (1986) is a studio recording of clavichord solos. He has continued to record solo piano albums in the studio intermittently throughout his career, including Staircase (1976), Invocations/The Moth and the Flame (1981), and The Melody at Night, with You (1999). Jarrett’s first album for ECM, Facing You (1971), was a solo piano date recorded in the studio. Most parts of these recorded sets were released in 2007 on The Cellar Door Sessions featuring four improvisations by Jarrett. These were done on electric pianos ( Rhodes and Contempo), which Jarrett was loath to perform on. Jarrett recorded a few solo pieces live under the guidance of Miles Davis at Washington’s music club The Cellar Door in December 1970. In 2008 he was inducted into the Down Beat Jazz Hall of Fame in the magazine’s 73rd Annual Readers’ Poll. His album The Köln Concert (1975) became the best-selling piano recording in history. In 2003 Jarrett received the Polar Music Prize, the first recipient of both the contemporary and classical musician prizes, and in 2004 he received the Léonie Sonning Music Prize. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music. Since the early 1970s he has enjoyed a great deal of success as a group leader and a solo performer in jazz, jazz fusion, and classical music. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Johnson's "Caroline Shout.Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist and composer. After a resounding standing ovation, Jarrett proceeded to play his encores, which included an unusually introspective rendition of Harold Arlen's " Somewhere Over the Rainbow," the melody of Cole Porter's tragicomic " Miss Otis Regrets," and an impressive display of ragtime virtuosity with James P. The highlight of the set was a piece that featured rolling tremolo chords, including a haunting improvised melody. There were seven pieces in the first set, including segments that ranged from aggressively funky and dissonant to slower and more melodic movements, expressive of a poignant lyricism. ![]() This opening piece, in particular, was practically without precedent. While often falsely characterized as "atonal," the pianist's harmonies are actually very complex in structure and his tonality and rhythm sophisticated in execution. The concert began with a typical, post-Chronic Fatigue Syndrome "big bang" exploration into musical harmony and rhythm. Jarrett's improvised music was unique in its achievement, touching base with nearly every aspect that has shaped his career. ![]() "This concert seemed to surpass many of Jarrett's previous shows in terms of the audience-performer connection, as Jarrett was pushed by a raucous and energetic crowd to new heights of melodic, harmonic, and virtuosic improvisation."
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